Voicing Chords
printed from www.musictheory.net
Composers will often arrange the notes of a chord in numerous ways in order to vary its sound. This process is called voicing.
To demonstrate this, we will voice an F major triad in root position.
Notice that we can arrange the notes in any order as long as F, A, and C are used and F is the lowest note.
Play and listen to these examples.
Next, we will voice an F major triad in first inversion.
By definition, a chord is in first inversion when the third is the lowest note. Thus, we need to make sure that each of our voicings uses A for the bottom note.
Play and listen to these examples.
Finally, we will voice an F major triad in second inversion.
The process is the same; however, we must be certain that the fifth (C) is used as the lowest note.
Play and listen to the final examples.
If this lesson helps you, please purchase our apps to support our site.
Composers will often arrange the notes of a chord in numerous ways in order to vary its sound. This process is called voicing.
To demonstrate this, we will voice an F major triad in root position.
Notice that we can arrange the notes in any order as long as F, A, and C are used and F is the lowest note.
Play and listen to these examples.
Next, we will voice an F major triad in first inversion.
By definition, a chord is in first inversion when the third is the lowest note. Thus, we need to make sure that each of our voicings uses A for the bottom note.
Play and listen to these examples.
Finally, we will voice an F major triad in second inversion.
The process is the same; however, we must be certain that the fifth (C) is used as the lowest note.
Play and listen to the final examples.
If this lesson helps you, please purchase our apps to support our site.