Interval Inversion
printed from www.musictheory.net
In music, the verb invert means to move the lowest note in a group an octave higher.
In this lesson, we will be inverting intervals.
For our first example, let's invert a perfect fifth: C to G.
To invert this interval, move the lowest note (the C) an octave higher.
The result is a perfect fourth: G to C.
Next, let's invert a perfect fourth: F# to B.
Move the lowest note an octave higher.
The result is a perfect fifth: B to F#
Perfect intervals will always invert to other perfect intervals.
Fourths and fifths will invert to each other.
Let's invert a major third: C to E.
Move the lowest note an octave higher.
The result is a minor sixth: E to C.
Let's invert a minor third: E to G.
Move the lowest note an octave higher.
The result is a major sixth: G to E.
Minor intervals and major intervals invert to each other.
Thirds and sixths invert to each other.
Let's invert a major seventh: C to B.
Move the lowest note an octave higher.
The result is a minor second: B to C.
Seconds and sevenths invert to each other.
Finally, diminished and augmented intervals invert to each other.
To demonstrate this, let's invert an augmented fourth: C to F#.
Move the lowest note an octave higher.
The result is a diminished fifth: F# to C
Use this chart to quickly invert intervals.
If this lesson helps you, please purchase our apps to support our site.
In music, the verb invert means to move the lowest note in a group an octave higher.
In this lesson, we will be inverting intervals.
For our first example, let's invert a perfect fifth: C to G.
To invert this interval, move the lowest note (the C) an octave higher.
The result is a perfect fourth: G to C.
Next, let's invert a perfect fourth: F# to B.
Move the lowest note an octave higher.
The result is a perfect fifth: B to F#
Perfect intervals will always invert to other perfect intervals.
Fourths and fifths will invert to each other.
Let's invert a major third: C to E.
Move the lowest note an octave higher.
The result is a minor sixth: E to C.
Let's invert a minor third: E to G.
Move the lowest note an octave higher.
The result is a major sixth: G to E.
Minor intervals and major intervals invert to each other.
Thirds and sixths invert to each other.
Let's invert a major seventh: C to B.
Move the lowest note an octave higher.
The result is a minor second: B to C.
Seconds and sevenths invert to each other.
Finally, diminished and augmented intervals invert to each other.
To demonstrate this, let's invert an augmented fourth: C to F#.
Move the lowest note an octave higher.
The result is a diminished fifth: F# to C
Use this chart to quickly invert intervals.
If this lesson helps you, please purchase our apps to support our site.